Saturday, May 12, 2007

The Lives of Others


If you haven't seen this movie, you must. "The Lives of Others" is a film about moral integrity and justice. Florian Henckel von Donnersmarck, who wrote and directed the film, achieves what films rarely do; he develops a plot that appears simple and allows the story itself to reveal the complexity of human emotions and morality.

Set in East Berlin in 1984, the story is of an agent of the Stasi named Gerd Wiesler, played by Ulrich Muhe, who has a knack for identifying the enemies of the State. Fulfilling his Orwellian function, Wiesler is sent to spy on (or enter) the life of a couple, a writer and an actress. His mission is to find evidence of a conspiracy even though there is no reason to suspect that there will be any evidence. Indeed it is because the suspects have neither said nor done anything suspicious that the Stasi suspects them.

As Wiesler, a broken man whose life is the Stasi and who truly believes that the work he does is for the good of the country, listens in on their conversations about art,music, books and humanity, he becomes engaged in their lives. It may even be their innocence and goodness that most intrigues him. He learns from them. He begins to care for them and to care about what happens to them. The news of a friend's suicide is the turning point for all three main characters. The writer, Georg Dreyman (played by Sebastian Kock) plays Beethoven's "Appassionata" and tells his girlfriend, Christa-Marie Sieland (played by Martina Gedeck), that Lenin once said if he were to continue listening to this music he would not finish the revolution. As Wiesler listens in, observing how they comfort one another in their grief over their lost friend, a tear rolls down his cheek. Can anyone who has heard this music really be a bad person? asks Georg.

This is what makes the film so wonderful. Good and bad are not black and white. And the topic--that of the government invading the lives of its citizens even without reason and for the purpose of finding or fabricating evidence of a conspiracy--is one that should send a warning to US audiences. The torture of prisoners, the brutal interrogation tactics, the wiretaps and cameras watching every step, the fact that the government decides who is an enemy with or without proof, the censorship of art and artists. For those who value freedom and believe that by relinquishing some freedoms we will remain free, this film shows just how dangerous it is to give too much power to the powerful and just what it means to lose one's freedom.

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