![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilVyFjVZ8nSWb9rwMm6cm_dz79XniqQ4cpvDQ1SKZNu-Z8954xWvqFMEW4nohtv7rpOhdG_prqFlN-6UeAFUzoav5wkOrb1X53oc50zyY-vgrgTQbZF21q-Ww4AdCwN0u1Hs8frUG0feRx/s320/200px-Thegodofsmallthings.jpg)
I've bought this book, The God of Small Things, so many times and given it away just as I start reading it because I end up talking to someone about how good it is, they get excited about it, so I give them my copy. Then I buy a new one and start all over again. I'm only on chapter 8, halfway through the book. I usually give my copy away right about now.
This time, it's the writing style that fascinates me most. The first time I started it, the political side was the intrigue. I had just moved to Egypt, and although I'd lived in developing countries before, in Egypt it was much clearer that the impact of the developed world was devastating. I could relate with that part of the story as I was living it for the first time in my life.
But this time it's really Arundhati Roy's writing style that I love. Her details are meticulous and humorous. They don't read like pages of adjectives before nouns placed to fulfill the requirements of a composition class. Every detail has a meaning--often a hidden and derisive meaning. The plot is developed through the descriptions that often come from the voices of children (who haven't yet been jaded). And, it's spot on. She's a master of "Show me, don't tell me."
When fiction explains reality better than non-fiction ever could, that to me is excellence. And when it still grabs your attention at 3 in the morning after you've been teaching Russian students to speak English all online and don't want to read another word in any language, that is just plain awesome.